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Bodø/Glimt’s 2-1 defeat of Inter at San Siro continued this season’s miracle. The post-match discussion between Inter coach Cristian Chivu and his opposite number, Kjetil Knutsen, was one of admiration, an acknowledgment the Norwegian team had been too good for the runaway Serie A leaders. Even though Inter were without Lautaro Martínez, their standard bearer, a comeback seemed likely as they dominated the early stages. But they found no way through, eventually falling victim to the high-quality, high-speed attacking that had left them with a 3-1 deficit to overcome from the first leg.
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.