Presented in a suffocating black-and-white close-up, a heaving Mary Shelley introduces this story as the one she still wished to tell, even from the grave. Her rage of being silenced echoes across the ages, possessing a gangster's moll in 1930s Chicago. And from there, Gyllenhaal weaves in references to Whale's Frankenstein and Bride of Frankenstein, Shelley's novel Frankenstein, as well as Mel Brooks' parody Young Frankenstein, Arthur Penn's Bonnie and Clyde, and Lizzie Borden's 1983 dystopian classic, Born in Flames.
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After it was released on 26 January, it drew in just under 100,000 players on PC and about 380,000 viewers on streaming site Twitch, according to data-tracking website SteamDB.
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